explore the carvers - travels

Carving styles (142 total)

carver?
mode?
<p>Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.</p>
    	    <p>These are the Codes used in Modes</p> <p>2 foliage or tendrils that are separate, two-dimensional</p>  
            <p>3    foliage or tendrils that are crossing or emerging out of another</p> 
            <p>c    major part of the foliage placed in the centre of the capital</p> 
            <p>f    major foliage on the flanks, supporting the upper corner</p> 
            <p>r    rinceau designs, often emerging from the mouth</p> 
            <p>+    more than one row of elements</p>
            <p>#    repeatitive items place in rows and layers</p> 
            <p><>   foliage connects above the astragal, rather than rising from it.</p> 
            <p>oo   elements framed, mainly in rinceau designs.</p> 
            <p>B    birds or animals</p> 
            <p>cone the core form is dominant, decoration laid over it</p> 
            <p>e    enchancre, though seldom consistent on all capitals.</p> 
            <p>H    heads or people</p> 
            <p>geom geometric forms or lines</p> 
            <p>hang foliage hanging, at times from a head or crocket</p> 
            <p>Sp   spiral rinceau designs</p> 
            <p>T^   tips of leaves extended and pointing up, or Tv pointing down</p> 
            <p>tree tree-like forms</p> 
            <p>X    straps, either crossing or used instead of foliage.</p>
X

Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.

These are the Codes used in Modes

2 foliage or tendrils that are separate, two-dimensional

3 foliage or tendrils that are crossing or emerging out of another

c major part of the foliage placed in the centre of the capital

f major foliage on the flanks, supporting the upper corner

r rinceau designs, often emerging from the mouth

+ more than one row of elements

# repeatitive items place in rows and layers

<> foliage connects above the astragal, rather than rising from it.

oo elements framed, mainly in rinceau designs.

B birds or animals

cone the core form is dominant, decoration laid over it

e enchancre, though seldom consistent on all capitals.

H heads or people

geom geometric forms or lines

hang foliage hanging, at times from a head or crocket

Sp spiral rinceau designs

T^ tips of leaves extended and pointing up, or Tv pointing down

tree tree-like forms

X straps, either crossing or used instead of foliage.

confidence?
Adrien 2c+ High
Apple I r2f oo High
Apple II r2f oo High
Apple III r2f oo High
Aviateur Bf High
AxHead H High
Banniere tree High
Birdman Bf+ High
Birdman-up Bc e High
Bouquet 3c+ High
Bowline r3f High
Bussiares Bf High
Butterfly leaf f High
Chrisomon geom High
Comet hang High
Countess r2 H High
Curly hang High
Cyprian 2f <> High
Daniel 3c+ <> High
Dominique 2f <> High
Droopy hang High
Duchess r2f H High
Duke r2f HSp High
DukeSon r2f H High
Embrun r2c H High
Faceter cone High
Felix r3f HSp High
Fiesta hang High
Fretter 2c <> High
Gamma 3X <> High
Gregoire r3c HSp High
Growl H High
Heron r3c oo High
Jalons 3f <> High
Jeremy tree High
Jerome tree High
Meander r3 High
Nested Bc+ T> High
Palmette 2#+ <> High
Pecker Bc+ High
Pecker II Bc+ High
Peekaboo Bc High
Rameau r3c H High
Softly r3 H' High
Sprout 2#+ <> High
Strutter 2x tree High
Victoire 2f <> High
Yves tree 2f+ High
Yves II tree High
Zac 2 High
Arum II 2f <> Little
Aubert 2c+ <> Little
Baptiste 2c+ Little
Birdman-X B Little
Blunt 2c+ Little
Clement 2f + <> Little
Coiffure geom Little
Counter r3f HSp Little
Etouffant cone Little
Fabrice 2c <> Little
Fleurette 2f+ <> Little
Flopsie 2f Little
Gripple r2f oo Little
Gripple II r2f oo Little
Gripple III r2f oo Little
GrippleSon r2f oo Little
Grossteste H Little
Hanger 2# Tv Little
Hanger II 2# Tv Little
Hooker r3f oo Little
Hugues 2f <> Little
Igor the Mad 2f H Little
ImpostO geom Little
Isaie 2f+ <> Little
Jumper 2c+ Little
Knotter geom Little
Lapwing 3f+ <> Little
Lattice 2# H Little
Layered 2#+ Little
Lobelia 3f Little
LongLeaf r2f Tv Little
Loopy 2f <> Little
Metalico 2f+ <> Little
Multiplate 2f Little
Nicolas 2fV <> Little
Norm geom Little
Olive 2f <> Little
Olivier-C cone c Little
Palmier tree 2f+ <> Little
Palmier II tree 2f+ <> Little
Palmleaf 2#+ Little
Paneau r0 Little
Papillon r2f <> Little
Pietro 2f+ <> Little
Posie 2#+ tree Little
Rampant I H Little
Rocket 2f+ <> Little
Skirt 2# Little
Solo H Little
Spirex geom Little
SS II r2 Little
SS III r2 oo Little
SS IV r2 oo Little
SS Master r2 oo Little
Strap-X X r Little
The Italian H Little
The Ram H Little
Tongue 2c ++ Little
TreeMan tree Little
Twingo 2c wave Little
Umbrella r2f+ <> Little
Union-J geom Little
Victoire II 2f <> Little
Victoire III 2f+ <> Little
Zacherie 2f Little
Acanthe f+ Medium
Apple IV r2c oo T^ Medium
Auguste 3X Tv Medium
Banniere II tree Medium
Belting r3f Medium
Comet II hang G Medium
CometSon hang Medium
Damien 2f <> Medium
Dowager r2c HSp Medium
Drago r2f H Medium
Earwig r2f H Medium
Fabian r3f oo Medium
Fanny 2# + Medium
Francois 3c+ Tv <> Medium
Frothy 2#+ Medium
Headman cone # Medium
Headman-2 cone # Medium
Jacques 2f+ <> Medium
Lazare 2f <> T^ Medium
Melinda r3 Medium
Remy 2f <> Medium
Roquette 2f+ <> Medium
Treefern tree Medium
Tung-Long 2f+ Medium
Urbain 2f+ <>; Medium
Vereaux Bc Medium
Vertical 2f <> Medium
GATHERING SIMILAR CARVINGS among 30,000 in this study is the first step in separating the work of individuals. It has been my lifelong intention to identify some of the men who created Gothic. This is a beginning, a work in progress.
Templates were the means by which a masters communicated with his masons, and I presume that carvers were no different. The template is therefore one key element to making attributions among carvers. Among master masons I would refer you to the 250 geometric studies in The Contractors of Chartres.

TYPICAL QUESTIONS might be: What else was going on in the towns where he worked? How long would it have taken to get to distant churches? As the carvers travelled, who did they meet at different sites, and how might this have influenced their carving? Where may men have met and spent time together and shared ideas? How long was a working life, and were their first works carved in adolescence? Are the dates clustered within a reasonable timeframe for an active life? Were carvers employed by one builder or were they independent and peripatetic? On a large job would all the carvers have turned up at the same time, or singly? Did they do other skilled work such as torus moulds or decorative framing, and can we identify them?

FOUR ARTICLES FOUR ARTICLES...Read more
Studies These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. 
    	    The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.
X

These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.

Carver: Faceter, 53 capitals in 25 jobs. Active: 1088-1126. Filtered by Certainty !!.Switch